Noty, tabulatury na kytaru.

Jazz Language
Guide Tones
Bebop Scales
Mixolydian Bebop
Major Bebop
Minor Bebop
Scalar Patterns
3-flat9
Augmented Dominant
Playing the Upper-Structure of Chords
Targeting
Substitutions
John Coltrane's Style
Summary
Minor Chord Material
Track 1: Tuning
Track 2: Minor Chord Vamp
Track 3: Minor Moving in Fourths
Dominant Seventh Chord Material
Track 4: Dominant Seventh Vamp
Track 5: Dominant Seventh Moving in Fourths
One Measure ii-V (Short ii-V) Material
Track 6: Short ii-V Vamp
Track 7: Short ii-V Moving in Fourths
Two Measure ii-V (Long ii-V) Material
Track 8: Long ii-V Vamp
Track 9: Long ii-V Moving in Fourths
Major (I) Chord Material
Track 10: Major Vamp
Track 11: Major Moving in Fourths
Minor ii-V Material
Track 12: Minor ii-V Vamp
Track 13: Minor ii-V Moving in Fourths
Play Along Recordings
Track 14: Short ii-V-I Vamp
Track 15: Short ii-V-I Moving in Fourths
Track 16: Long ii-V-I Vamp
Track 17: Long ii-V-I Moving in Fourths
Track 18: Minor ii-V-i Vamp
Track 19: Minor ii-V-i Moving in Fourths
Turnarounds
Track 20: Turnaround Vamp
Track 21: Turnaround Moving in Fourths
Creating Solos
Track 22: Creating Solos
Track 23: Progression Similar to Pent Up House
Coltrane Changes/Giant Steps
Practicing Coltrane Changes
Track 24: Long ii-V-I with Coltrane Changes Vamp
Track 25: Long ii-V-I with Coltrane Changes Moving in Fourths
Track 26: Eight Measure Giant Steps Vamp
Track 27: Progression Similar to Giant Steps
Superimposing the Coltrane Changes
Track 28: Blues for a Giant
Track 29: Snap Shots
Conclusion
Selected Discography
About the Authors